City Tour 2025-2026: Miami

The Metromover is an automated and elevated people mover with cars coming every few minutes during the day. There are several different loops allowing riders to access many points in the financial district and downtown in a matter of minutes. We rode the loops and got a good orientation for the area before returning to our hotel. Oh, by the way, the Metromover is free!

If you enjoy contemporary art, the museum makes for a good visit. The museum is perched on the waterfront and you can stroll through the adjacent Museum Park back as far as the Miami River.

The photo above is courtesy of Pietro.

On the evening we visited Rodrigo “Digo” Zambrano was playing with his trio. During the course of the evening we were also treated to a trumpeter and saxophonist sitting in with the trio. Capping off the evening was an outstanding vocalist who fronted the band on several songs. Perfecto!!

ATX: City Tour Series: 2025-2026

Despite having criss crossed Texas several times OTR had never managed to visit Austin (ATX). The initial reason was due to Covid 19 as we were forced to cancel a scheduled visit with friends in March 2020. So as we planned our City Tour Series for the autumn and spring of 2025/2026 we incorporated ATX as our second tour stop.The City Tour is not a road trip as we are accessing the cities via rail (see previous post) and air.

Wild Boar Ribs | Lamberts Downtown Barbecue | Austin
Mural | Generational Ties | Artist | Ruben Esquivel
Old Bakery & Emporium (photo courtesy of austintexas.gov)
Texas State Capitol | Austin, Texas
Colorado River | Lady Bird Lake |Austin, Texas
Jerry Bywaters |Oil Field Girls | 1940 | Oil on Board
Yasuo Kuniyoshi | Waitresses from the Sparhawk | 1924-25 | Oil on Canvas
Hayal Pozanti | This Sudden Smiling | 2024 | Oil Stick on Linen
Hayal Pozanti | Veil Between Worlds | 2023 | Oil Stick on Linen
Ragna Bley | Antarctica | 2024 | Acrylic and Oil on Linen
Ragna Bley | Inter-Waver | 2016 | Acrylic on Canvas
Congress Avenue Viewed from the ContemporAry Roof
San Antonio Street
Live and Let Die | 1974
Ward | Steve Ward | Video
Austin Central Library (Photo Courtesy of Guide to Austin Architecture)

Heartland…..Coffee, Cattle, Beef and Baseball

Mission San Jose’ de Laguna, Pueblo of Laguna, New Mexico
Route 54
Golden Triangle of Beef aka Golden Triangle of Meat Packing, Kansas
Keeper of the Plains (Photo courtesy of Wichita Tourism)
Wichita (New Salem District), Kansas
Wichita (El Pueblo District), Kansas
Wichita (New Salem District), Kansas
Kaufman Stadium, Kansas City, Missouri
Busch Stadium, Gateway Arch, St. Louis, Missouri
Coma Coffee Roasters, Richmond Heights, St. Louis, Missourri
Cathedral Basilica of St. Louis (Photo courtesy of Apple Maps)
Over-the- Rhine, Cincinnati, Ohio

Montgomery

Trilogy Hotel, Montgomery, Alabama
Selma to Montgomery Marches Mural

ÍSLAND

Prime Minister’s Summer Residence
Tectonic Rift
Tectonic Rift
Gullfoss
Gullfoss
Hvítá River Viewed From Skálholt Church
Icelandic Happy Marriage Cake (Photo courtesy of Autumn Carolyn)
Harpa Concert Hall
Icelandic Foal
Polar Bear, Hotel Ranga, Hella, Iceland
Perlan (Photo courtesy of Perlan)

Prince Edward Island

Confederation Bridge
Confederation Bridge – Frozen Northumberland Strait
(Photo courtesy of Canadian Encyclopedia)
Government House (built 1833-1834), Charlottetown, Prince Edward Island
Grand Council Flag Mi’kmaq Nation

Halifax, Nova Scotia — Much Better Than Dunk, Nova Scotia

Halifax, from the Citadel
Artist—@BLAZENTATTOO
Self Portrait—Denyse Thomasos

El Paso del Norte

We had been in Texas and New Mexico several times prior to our most recent trip, but for some reason had steered around El Paso (EP). Perhaps the timing was just not right or we were concerned about conditions there based on the reporting regarding the immigration issues at the border. Regardless, we were ready to explore EP as part of our OTR 9.0 adventure and draw our own conclusions about the city.

El Paso, Texas and Juarez, Mexico viewed from Scenic Drive

We made the decision to stay in the city and booked a hotel in the University district for three nights. We are glad we chose this area as it enabled us to walk to a number of casual but excellent restaurants and coffee shops dotting the university neighborhood. This was especially nice as EP is a sprawling metropolis that requires some driving in order to explore the city.

Of course, the first entry point for any worthwhile city visit is COFFEE! We were traveling from the east after our recent visit to Guadalupe Mountains National Park, therefore we were able to vector directly to an excellent specialty coffee shop and roaster on the east side of the city. We were most fortunate that the founder and owner of Global Coffee, Erika, sat with us for quite awhile. She shared with us her family history and the ties with Mexico that exist in a border town that has been a major immigration point for centuries(El Paso del Norte). Erika is a delightful and talented young woman and we wish her all the success she deserves with her business and family. https://globalcoffeeco.com/

After refueling we went directly to the tank museum, officially known as the 1st Armored Division & Fort Bliss Museum. The United States Army has had a post in EP since 1849, which has served as an infantry post, a cavalry post, an air defense artillery post and currently operates as a maneuver training post. The size of the Fort Bliss training area (965,00 acres) and its mountainous desert terrain have made it a vital training location for the many forces that have been deployed to the Middle East over the last three decades.

Artist: Fremont Ellis, El Paso Smelter at Night, 1919
Artist: @DEKO_UNO, Kerby Avenue, El Paso, Texas
Artists: Jesus Alvarado and Victor Casas, El Segundo Barrio, El Paso, Texas

@streetartfromtheroad. Detroit. Motor City. Eastern Market

Stevie Wonder” Richard Wilson @richardwilsonartwork (2019)

@streetartfromtheroad and @finearttourist traveled to Detroit (DTW) in early December to see the Van Gogh in America Exhibition at the Detroit Institute of Arts (DIA). This exhibition was originally scheduled for the summer of 2020 but was canceled due to the Covid-19 pandemic. Fortunately, the DIA was able to gain access to the majority of paintings scheduled to be part of the original exhibition. An upcoming post by @finearttourist will showcase this spectacular exhibition.

Of course, while in DTW we took full advantage of the good weather to explore the outdoor museum of street murals scattered throughout the Eastern Market District. In this post we will share some of the fantastic street art on display in the Eastern Market. Disclosure: some of the mural photographs have been edited to eliminate peeling paint and graffiti.

Ndubisi Okay @n_du_time
Brandan Mike Odums @bmike2c (2017)
DreamersJeff Soto @maxxer242 (2015)

The Eastern Market has been in existence for over 150 years. After World War 2, the market became a major hub for food processing and wholesale food distribution. The market covers approximately 43 acres just north of downtown DTW. There are still 80 standing structures ranging from fully occupied to abandoned and decaying.

Today, the Eastern Market is the largest open-air flower bed market in the United States. Additionally, there are over 150 firms selling meat, spices, vegetables, jams and poultry. There are also a number of restaurants, bars and non-food retailers located within the market district. Lastly, if you are hankering for a corned beef sandwich, a pastrami sandwich or Detroit’s (in)famous “coney” this is the place to go.

Victor Quinonez @marka_27 (2016)
Tylonn Sawyer @tylonn.j.sawyer (2016)
Ashley McFadden @mcfadden_ashley (2019)
Sydney G. James (A girl raised in Detroit) @sydneygjames (2017)
Enough SAID (Enough Sexual Assault in Detroit)
Tatiana Suarez @tatunga (2017)

The Murals in the Market (MM) organization has been actively supporting the transformation of the Eastern Market from a wasteland to a cultural destination within Detroit. The organization sponsors an annual mural festival in the Market District. To date, the organization has supported the production of 100 murals in the District and 200 murals across the city. Additionally, MM supports a number of other arts events (including live music) throughout the year. We hope that this organization continues to receive support from the DTW community as part of the revitalization of DTW.

Arlin @arlin_graff (2017)
Birdman @ed_Irmen (2019)
Joey Salamon @joeysalamon (2019)
Osunlade (2019)
“Mama Maiz” by Ivan Montoya @imontoya_ (2019)
Sydney James (A girl raised in Detroit) @sydneygjames (2016)
“Respect-Aretha” Kaka’ Chazz @kaka.chazz (2018)
Fiestas de Enero” Freddy Diaz @swfreddy (2018)
Richard Wilson @richardwilsonartwork

Of course, a day of mural hunting requires sustenance. Fortunately, we were able to start and end our pic shooting at Anthology Coffee, which is located conveniently in the market. Anthology roasts their own coffee on the premises. Anthology Coffee.com | Always Tasty

In keeping with the meat packing history of the Market, our mid-day replenishment was taken at Franks’s Deli and Grill. We feasted on a Detroit staple – Wigley’s Famous Corned Beef! https://www.facebook.com/FranksDeliandGrill/menu/

We hope you enjoyed this post. Be seeing you!

FINE ART TOURIST: KNOXVILLE MUSEUM OF ART: TENNESSEE ARTISTS ON DISPLAY

Our first stop in Tennessee on the outbound leg of OTR 8.0 was Knoxville. We have chronicled portions our visit to Knoxville in two previous posts (Street Art Tourist OTR 8.0 and Fika with Fiona:OTR 8.0). This post is focused on our visit to the Knoxville Museum of Art (KMOA). https://knoxart.org/contact/. (Photos of the museum below courtesy of the museum)

The KMOA is a regional art museum with a focus on the art, artists and culture of the Southern Appalachians, particularly Eastern Tennessee. The museum opened to the public in its current modern 53,000 square foot facility in 1990. Today the collection includes 1500 pieces of art in a variety of media. While the museum collection extends beyond works from Eastern Tennessee, we were most interested in seeing the paintings of several of the most noted Tennesseans, on display in the Higher Ground exhibition.

Higher Ground : A Century of the Visual Arts in East Tennessee

Marion Greenwood (1909-1970) History of Tennessee, 1954-55, Oil on Linen

Higher Ground is the first permanent exhibition devoted to East Tennessee’s artistic achievements. It includes objects from the KMA collection supplemented by important works borrowed from public and private collections. Many of the featured artists spent their entire lives and careers in the area, while some moved away to follow their creative ambitions. Others were drawn to the region by its natural beauty, as the wealth of landscape imagery in this exhibition attests. Together, these artists’ works form the basis of a visual arts legacy in East Tennessee that is both compelling and largely unheralded. Higher Ground allows viewers to follow the history of artistic activity in the region over roughly a century of development and learn about the many exceptionally gifted individuals who have helped shape the area’s visual arts tradition.

Catherine Wiley

Anna Catherine Wiley was one of the most active, accomplished, and influential artists in Knoxville during the early twentieth century. She taught art at the University of Tennessee, helped organize area art exhibitions, and was a driving force in the Nicholson Art League, a prominent local art association. Wiley studied with Frank DuMond at the Art Students League in New York and spent summers in New England working with Impressionist Robert Reid. She returned to Knoxville following her studies and brought with her a mastery of Impressionism. Wiley specialized in scenes of women amid their daily lives rendered in thick, brightly colored pigment. Morning features a more expressive variety of brushwork often seen in her late paintings.

Wiley’s work is represented in museum collections around the country, including the Metropolitan Museum of Art. Her promising career ended in 1926 when she was confined to a psychiatric hospital where she was without access to her studio supplies. The exact nature of the artist’s illness remains unconfirmed.

Catherine Wiley (Coal Creek [now Rocky Top],
Tennessee 1879-1958 Norristown, Pennsylvania) Young Woman Reading with Parasol, circa 1918, Oil on canvas
Catherine Wiley (1879-1958) Untitled (Woman and Child in a Meadow)1913, Oil on canvas

Untitled (Woman and Child in Meadow) represents Knoxville Impressionist Catherine Wiley at the height of her career. She won the top award for regional painting at the 1910 Appalachian Exposition in Knoxville, and evidence suggests the artist selected this canvas for inclusion in Knoxville’s 1913 National Conservation Exposition. In a review of the 1913 exposition, one Knoxville Journal & Tribune critic wrote that “Miss Catherine Wiley’s work has attracted general comment and praise. She has three pictures on exhibition, two of which are new examples of her art. The most pleasing of the three is a study of a woman and child out-of- doors. The figures are sitting in strong sunlight, while a dark wooded hillside forms the background. The piece is strongly handled, and shows originality and force.”

Catherine Wiley (1879-1958) Boats and Water, circa 1915, Oil on canvas
Catherine Wiley (1879-1958) Morning Milking Time,circa 1915, Oil on canvas

Beauford Delaney

Beauford Delaney (Knoxville 1901-1979 Paris) Blue-Light Abstraction, circa 1962, Oil on canvas

Born in Knoxville in 1901 to a Methodist Episcopalian minister, Beauford Delaney and his younger brother Joseph demonstrated early artistic talent. Their parents supported the brothers’ creative aspirations, and Beauford’s talents came to the attention of painter Lloyd Branson, who served as an early mentor. Facing the additional hurdle of racism, the brothers left Knoxville in the mid-1920s to pursue their art careers in larger arenas, but followed very different artistic paths. After studying in Boston, Beauford chose New York and later Paris as the ideal settings for his experiments with expressive abstraction. He attracted a host of distinguished friends including Georgia O’Keeffe, Alfred Stieglitz, Willem de Kooning, James Baldwin, Henry Miller, and Louis Armstrong. He became known for his radiant portraits and landscapes in which he explored color—luminous color—applied with explosive brushwork. Visible references to the outside world began to fade as the artist sought what he believed were the healing powers of light as embodied in the brilliant hues of his palette.

Beauford Delaney (Knoxville 1901-1979 Paris) Self-Portrait in a Paris Bath House, 1971, Oil on canvas

Joseph Delaney

Joseph Delaney (Knoxville 1904-1991 Knoxville) Vine and Central, Knoxville, Tennessee,1940, Oil, pastel and charcoal on canvas

Joseph Delaney, like his brother Beauford, was born in Knoxville, but left for Chicago before settling in New York, where he established himself as a tireless and prolific painter of Manhattan’s urban scene. Over the span of his 60-year career, Joseph displayed a remarkable ability to convey a vibrant modern world in transition while representing an unvarnished record of his energetic painterly process. He returned to Knoxville to visit his family over the years and eventually moved back to his hometown in 1986. The Knoxville Museum of Art has worked diligently to call attention to the artistic accomplishments of both brothers by hosting or organizing such exhibitions as Beauford Delaney: From New York to Paris (2005), Beauford Delaney: Gathering Light (2017), Joseph Delaney: On the Move (2018), and Beauford Delaney & James Baldwin: Through the Unusual Door (2020). The KMA owns the world’s largest and most comprehensive institutional collection of Beauford Delaney’s work, and an extensive selection of paintings and drawings by Joseph Delaney.

Joseph Delaney(1904-1991) Marble Collegiate Church,1974-75, Oil on canvas
Joseph Delaney (1904-1991) Untitled (Saguenay, Quebec),circa 1945, Oil on canvas board

Lloyd Branson

Lloyd Branson (Union County, Tennessee 1853-
1925 Knoxville)Going Home at Dusk,1920, Oil on board

Enoch Lloyd Branson was one of the most talented and versatile East Tennessee artists of his era. Under his lasting influence, the local art scene reached a new level
of activity and quality. Branson received artistic training at East Tennessee University (later renamed the University of Tennessee) and the National Academy of Design in New York. Upon the artist’s return in 1878, he established a successful portrait painting business with photographer Frank McCrary at 130 Gay Street in downtown Knoxville. Branson devised a method of producing vivid portraits based on photographs, which provided his primary income as an artist. However, he earned greatest recognition for heroic genre scenes such as Hauling Marble, which portrayed East Tennessee’s thriving marble industry. The painting won the gold medal at the Appalachian Exposition of 1910. In addition to his studio work, Branson was active as an art teacher, training and inspiring a new generation of talent including Catherine Wiley, Adelia Lutz, and Beauford Delaney, whose works are included in this exhibition.

Lloyd Branson (1853-1925) Hauling Marble,1910, Oil on canvas

The Tennessee marble industry began during the late 1830’s with the discovery of major veins in Hawkins County. Around 1850, Tennessee marble was discovered in Knox and Blount Counties where, with greater access to rail, the stone industry took off. By the 1880s, Knoxville became known as “The Marble City,” and its extensive quarries supplied stone used throughout the region and in the construction of the National Gallery of Art in Washington, D.C., New York’s state capitol, the Lincoln Memorial in Washington, New York’s Grand Central Station, and the New York Public Library’s famous stone lions. The Knoxville Museum of Art is also clad in pink Tennessee marble.

Despite its name, Tennessee marble is not a true marble due to its sedimentary structure and lesser hardness that are more akin to limestone. However, its high density, low porosity, water resistance, and range of color contribute to its distinguished history as a highly attractive building material.

We enjoyed the KMOA and recommend spending a morning or afternoon at the museum on your next visit to Knoxville. The KMOA is conveniently located at the site of the World’s Fair Park (1982) on the edge of downtown. Lastly, we would like to acknowledge that we drew heavily from the excellent Higher Ground Exhibition notes in preparing this post.

Be seeing you!