ATX: City Tour Series: 2025-2026

Despite having criss crossed Texas several times OTR had never managed to visit Austin (ATX). The initial reason was due to Covid 19 as we were forced to cancel a scheduled visit with friends in March 2020. So as we planned our City Tour Series for the autumn and spring of 2025/2026 we incorporated ATX as our second tour stop.The City Tour is not a road trip as we are accessing the cities via rail (see previous post) and air.

Wild Boar Ribs | Lamberts Downtown Barbecue | Austin
Mural | Generational Ties | Artist | Ruben Esquivel
Old Bakery & Emporium (photo courtesy of austintexas.gov)
Texas State Capitol | Austin, Texas
Colorado River | Lady Bird Lake |Austin, Texas
Jerry Bywaters |Oil Field Girls | 1940 | Oil on Board
Yasuo Kuniyoshi | Waitresses from the Sparhawk | 1924-25 | Oil on Canvas
Hayal Pozanti | This Sudden Smiling | 2024 | Oil Stick on Linen
Hayal Pozanti | Veil Between Worlds | 2023 | Oil Stick on Linen
Ragna Bley | Antarctica | 2024 | Acrylic and Oil on Linen
Ragna Bley | Inter-Waver | 2016 | Acrylic on Canvas
Congress Avenue Viewed from the ContemporAry Roof
San Antonio Street
Live and Let Die | 1974
Ward | Steve Ward | Video
Austin Central Library (Photo Courtesy of Guide to Austin Architecture)

Heartland…..Coffee, Cattle, Beef and Baseball

Mission San Jose’ de Laguna, Pueblo of Laguna, New Mexico
Route 54
Golden Triangle of Beef aka Golden Triangle of Meat Packing, Kansas
Keeper of the Plains (Photo courtesy of Wichita Tourism)
Wichita (New Salem District), Kansas
Wichita (El Pueblo District), Kansas
Wichita (New Salem District), Kansas
Kaufman Stadium, Kansas City, Missouri
Busch Stadium, Gateway Arch, St. Louis, Missouri
Coma Coffee Roasters, Richmond Heights, St. Louis, Missourri
Cathedral Basilica of St. Louis (Photo courtesy of Apple Maps)
Over-the- Rhine, Cincinnati, Ohio

Montgomery

Trilogy Hotel, Montgomery, Alabama
Selma to Montgomery Marches Mural

ÍSLAND

Prime Minister’s Summer Residence
Tectonic Rift
Tectonic Rift
Gullfoss
Gullfoss
Hvítá River Viewed From Skálholt Church
Icelandic Happy Marriage Cake (Photo courtesy of Autumn Carolyn)
Harpa Concert Hall
Icelandic Foal
Polar Bear, Hotel Ranga, Hella, Iceland
Perlan (Photo courtesy of Perlan)

Prince Edward Island

Confederation Bridge
Confederation Bridge – Frozen Northumberland Strait
(Photo courtesy of Canadian Encyclopedia)
Government House (built 1833-1834), Charlottetown, Prince Edward Island
Grand Council Flag Mi’kmaq Nation

Halifax, Nova Scotia — Much Better Than Dunk, Nova Scotia

Halifax, from the Citadel
Artist—@BLAZENTATTOO
Self Portrait—Denyse Thomasos

El Paso del Norte

We had been in Texas and New Mexico several times prior to our most recent trip, but for some reason had steered around El Paso (EP). Perhaps the timing was just not right or we were concerned about conditions there based on the reporting regarding the immigration issues at the border. Regardless, we were ready to explore EP as part of our OTR 9.0 adventure and draw our own conclusions about the city.

El Paso, Texas and Juarez, Mexico viewed from Scenic Drive

We made the decision to stay in the city and booked a hotel in the University district for three nights. We are glad we chose this area as it enabled us to walk to a number of casual but excellent restaurants and coffee shops dotting the university neighborhood. This was especially nice as EP is a sprawling metropolis that requires some driving in order to explore the city.

Of course, the first entry point for any worthwhile city visit is COFFEE! We were traveling from the east after our recent visit to Guadalupe Mountains National Park, therefore we were able to vector directly to an excellent specialty coffee shop and roaster on the east side of the city. We were most fortunate that the founder and owner of Global Coffee, Erika, sat with us for quite awhile. She shared with us her family history and the ties with Mexico that exist in a border town that has been a major immigration point for centuries(El Paso del Norte). Erika is a delightful and talented young woman and we wish her all the success she deserves with her business and family. https://globalcoffeeco.com/

After refueling we went directly to the tank museum, officially known as the 1st Armored Division & Fort Bliss Museum. The United States Army has had a post in EP since 1849, which has served as an infantry post, a cavalry post, an air defense artillery post and currently operates as a maneuver training post. The size of the Fort Bliss training area (965,00 acres) and its mountainous desert terrain have made it a vital training location for the many forces that have been deployed to the Middle East over the last three decades.

Artist: Fremont Ellis, El Paso Smelter at Night, 1919
Artist: @DEKO_UNO, Kerby Avenue, El Paso, Texas
Artists: Jesus Alvarado and Victor Casas, El Segundo Barrio, El Paso, Texas

@streetartfromtheroad. Detroit. Motor City. Eastern Market

Stevie Wonder” Richard Wilson @richardwilsonartwork (2019)

@streetartfromtheroad and @finearttourist traveled to Detroit (DTW) in early December to see the Van Gogh in America Exhibition at the Detroit Institute of Arts (DIA). This exhibition was originally scheduled for the summer of 2020 but was canceled due to the Covid-19 pandemic. Fortunately, the DIA was able to gain access to the majority of paintings scheduled to be part of the original exhibition. An upcoming post by @finearttourist will showcase this spectacular exhibition.

Of course, while in DTW we took full advantage of the good weather to explore the outdoor museum of street murals scattered throughout the Eastern Market District. In this post we will share some of the fantastic street art on display in the Eastern Market. Disclosure: some of the mural photographs have been edited to eliminate peeling paint and graffiti.

Ndubisi Okay @n_du_time
Brandan Mike Odums @bmike2c (2017)
DreamersJeff Soto @maxxer242 (2015)

The Eastern Market has been in existence for over 150 years. After World War 2, the market became a major hub for food processing and wholesale food distribution. The market covers approximately 43 acres just north of downtown DTW. There are still 80 standing structures ranging from fully occupied to abandoned and decaying.

Today, the Eastern Market is the largest open-air flower bed market in the United States. Additionally, there are over 150 firms selling meat, spices, vegetables, jams and poultry. There are also a number of restaurants, bars and non-food retailers located within the market district. Lastly, if you are hankering for a corned beef sandwich, a pastrami sandwich or Detroit’s (in)famous “coney” this is the place to go.

Victor Quinonez @marka_27 (2016)
Tylonn Sawyer @tylonn.j.sawyer (2016)
Ashley McFadden @mcfadden_ashley (2019)
Sydney G. James (A girl raised in Detroit) @sydneygjames (2017)
Enough SAID (Enough Sexual Assault in Detroit)
Tatiana Suarez @tatunga (2017)

The Murals in the Market (MM) organization has been actively supporting the transformation of the Eastern Market from a wasteland to a cultural destination within Detroit. The organization sponsors an annual mural festival in the Market District. To date, the organization has supported the production of 100 murals in the District and 200 murals across the city. Additionally, MM supports a number of other arts events (including live music) throughout the year. We hope that this organization continues to receive support from the DTW community as part of the revitalization of DTW.

Arlin @arlin_graff (2017)
Birdman @ed_Irmen (2019)
Joey Salamon @joeysalamon (2019)
Osunlade (2019)
“Mama Maiz” by Ivan Montoya @imontoya_ (2019)
Sydney James (A girl raised in Detroit) @sydneygjames (2016)
“Respect-Aretha” Kaka’ Chazz @kaka.chazz (2018)
Fiestas de Enero” Freddy Diaz @swfreddy (2018)
Richard Wilson @richardwilsonartwork

Of course, a day of mural hunting requires sustenance. Fortunately, we were able to start and end our pic shooting at Anthology Coffee, which is located conveniently in the market. Anthology roasts their own coffee on the premises. Anthology Coffee.com | Always Tasty

In keeping with the meat packing history of the Market, our mid-day replenishment was taken at Franks’s Deli and Grill. We feasted on a Detroit staple – Wigley’s Famous Corned Beef! https://www.facebook.com/FranksDeliandGrill/menu/

We hope you enjoyed this post. Be seeing you!

FINE ART TOURIST: KNOXVILLE MUSEUM OF ART: TENNESSEE ARTISTS ON DISPLAY

Our first stop in Tennessee on the outbound leg of OTR 8.0 was Knoxville. We have chronicled portions our visit to Knoxville in two previous posts (Street Art Tourist OTR 8.0 and Fika with Fiona:OTR 8.0). This post is focused on our visit to the Knoxville Museum of Art (KMOA). https://knoxart.org/contact/. (Photos of the museum below courtesy of the museum)

The KMOA is a regional art museum with a focus on the art, artists and culture of the Southern Appalachians, particularly Eastern Tennessee. The museum opened to the public in its current modern 53,000 square foot facility in 1990. Today the collection includes 1500 pieces of art in a variety of media. While the museum collection extends beyond works from Eastern Tennessee, we were most interested in seeing the paintings of several of the most noted Tennesseans, on display in the Higher Ground exhibition.

Higher Ground : A Century of the Visual Arts in East Tennessee

Marion Greenwood (1909-1970) History of Tennessee, 1954-55, Oil on Linen

Higher Ground is the first permanent exhibition devoted to East Tennessee’s artistic achievements. It includes objects from the KMA collection supplemented by important works borrowed from public and private collections. Many of the featured artists spent their entire lives and careers in the area, while some moved away to follow their creative ambitions. Others were drawn to the region by its natural beauty, as the wealth of landscape imagery in this exhibition attests. Together, these artists’ works form the basis of a visual arts legacy in East Tennessee that is both compelling and largely unheralded. Higher Ground allows viewers to follow the history of artistic activity in the region over roughly a century of development and learn about the many exceptionally gifted individuals who have helped shape the area’s visual arts tradition.

Catherine Wiley

Anna Catherine Wiley was one of the most active, accomplished, and influential artists in Knoxville during the early twentieth century. She taught art at the University of Tennessee, helped organize area art exhibitions, and was a driving force in the Nicholson Art League, a prominent local art association. Wiley studied with Frank DuMond at the Art Students League in New York and spent summers in New England working with Impressionist Robert Reid. She returned to Knoxville following her studies and brought with her a mastery of Impressionism. Wiley specialized in scenes of women amid their daily lives rendered in thick, brightly colored pigment. Morning features a more expressive variety of brushwork often seen in her late paintings.

Wiley’s work is represented in museum collections around the country, including the Metropolitan Museum of Art. Her promising career ended in 1926 when she was confined to a psychiatric hospital where she was without access to her studio supplies. The exact nature of the artist’s illness remains unconfirmed.

Catherine Wiley (Coal Creek [now Rocky Top],
Tennessee 1879-1958 Norristown, Pennsylvania) Young Woman Reading with Parasol, circa 1918, Oil on canvas
Catherine Wiley (1879-1958) Untitled (Woman and Child in a Meadow)1913, Oil on canvas

Untitled (Woman and Child in Meadow) represents Knoxville Impressionist Catherine Wiley at the height of her career. She won the top award for regional painting at the 1910 Appalachian Exposition in Knoxville, and evidence suggests the artist selected this canvas for inclusion in Knoxville’s 1913 National Conservation Exposition. In a review of the 1913 exposition, one Knoxville Journal & Tribune critic wrote that “Miss Catherine Wiley’s work has attracted general comment and praise. She has three pictures on exhibition, two of which are new examples of her art. The most pleasing of the three is a study of a woman and child out-of- doors. The figures are sitting in strong sunlight, while a dark wooded hillside forms the background. The piece is strongly handled, and shows originality and force.”

Catherine Wiley (1879-1958) Boats and Water, circa 1915, Oil on canvas
Catherine Wiley (1879-1958) Morning Milking Time,circa 1915, Oil on canvas

Beauford Delaney

Beauford Delaney (Knoxville 1901-1979 Paris) Blue-Light Abstraction, circa 1962, Oil on canvas

Born in Knoxville in 1901 to a Methodist Episcopalian minister, Beauford Delaney and his younger brother Joseph demonstrated early artistic talent. Their parents supported the brothers’ creative aspirations, and Beauford’s talents came to the attention of painter Lloyd Branson, who served as an early mentor. Facing the additional hurdle of racism, the brothers left Knoxville in the mid-1920s to pursue their art careers in larger arenas, but followed very different artistic paths. After studying in Boston, Beauford chose New York and later Paris as the ideal settings for his experiments with expressive abstraction. He attracted a host of distinguished friends including Georgia O’Keeffe, Alfred Stieglitz, Willem de Kooning, James Baldwin, Henry Miller, and Louis Armstrong. He became known for his radiant portraits and landscapes in which he explored color—luminous color—applied with explosive brushwork. Visible references to the outside world began to fade as the artist sought what he believed were the healing powers of light as embodied in the brilliant hues of his palette.

Beauford Delaney (Knoxville 1901-1979 Paris) Self-Portrait in a Paris Bath House, 1971, Oil on canvas

Joseph Delaney

Joseph Delaney (Knoxville 1904-1991 Knoxville) Vine and Central, Knoxville, Tennessee,1940, Oil, pastel and charcoal on canvas

Joseph Delaney, like his brother Beauford, was born in Knoxville, but left for Chicago before settling in New York, where he established himself as a tireless and prolific painter of Manhattan’s urban scene. Over the span of his 60-year career, Joseph displayed a remarkable ability to convey a vibrant modern world in transition while representing an unvarnished record of his energetic painterly process. He returned to Knoxville to visit his family over the years and eventually moved back to his hometown in 1986. The Knoxville Museum of Art has worked diligently to call attention to the artistic accomplishments of both brothers by hosting or organizing such exhibitions as Beauford Delaney: From New York to Paris (2005), Beauford Delaney: Gathering Light (2017), Joseph Delaney: On the Move (2018), and Beauford Delaney & James Baldwin: Through the Unusual Door (2020). The KMA owns the world’s largest and most comprehensive institutional collection of Beauford Delaney’s work, and an extensive selection of paintings and drawings by Joseph Delaney.

Joseph Delaney(1904-1991) Marble Collegiate Church,1974-75, Oil on canvas
Joseph Delaney (1904-1991) Untitled (Saguenay, Quebec),circa 1945, Oil on canvas board

Lloyd Branson

Lloyd Branson (Union County, Tennessee 1853-
1925 Knoxville)Going Home at Dusk,1920, Oil on board

Enoch Lloyd Branson was one of the most talented and versatile East Tennessee artists of his era. Under his lasting influence, the local art scene reached a new level
of activity and quality. Branson received artistic training at East Tennessee University (later renamed the University of Tennessee) and the National Academy of Design in New York. Upon the artist’s return in 1878, he established a successful portrait painting business with photographer Frank McCrary at 130 Gay Street in downtown Knoxville. Branson devised a method of producing vivid portraits based on photographs, which provided his primary income as an artist. However, he earned greatest recognition for heroic genre scenes such as Hauling Marble, which portrayed East Tennessee’s thriving marble industry. The painting won the gold medal at the Appalachian Exposition of 1910. In addition to his studio work, Branson was active as an art teacher, training and inspiring a new generation of talent including Catherine Wiley, Adelia Lutz, and Beauford Delaney, whose works are included in this exhibition.

Lloyd Branson (1853-1925) Hauling Marble,1910, Oil on canvas

The Tennessee marble industry began during the late 1830’s with the discovery of major veins in Hawkins County. Around 1850, Tennessee marble was discovered in Knox and Blount Counties where, with greater access to rail, the stone industry took off. By the 1880s, Knoxville became known as “The Marble City,” and its extensive quarries supplied stone used throughout the region and in the construction of the National Gallery of Art in Washington, D.C., New York’s state capitol, the Lincoln Memorial in Washington, New York’s Grand Central Station, and the New York Public Library’s famous stone lions. The Knoxville Museum of Art is also clad in pink Tennessee marble.

Despite its name, Tennessee marble is not a true marble due to its sedimentary structure and lesser hardness that are more akin to limestone. However, its high density, low porosity, water resistance, and range of color contribute to its distinguished history as a highly attractive building material.

We enjoyed the KMOA and recommend spending a morning or afternoon at the museum on your next visit to Knoxville. The KMOA is conveniently located at the site of the World’s Fair Park (1982) on the edge of downtown. Lastly, we would like to acknowledge that we drew heavily from the excellent Higher Ground Exhibition notes in preparing this post.

Be seeing you!

CTSPRINTERLIFE: RED STICK AKA BATON ROUGE(BTR)

Natchez, MISSISSIPPI to ST FRANCISVILLE, LOUISIANA

Vidalia, Louisiana

After a couple of interesting days exploring Natchez, we departed for Louisiana. Our new acquaintance, Dub Walker, proprietor of Steam Punk Coffee (see Mississippi Part Three) recommended that we cross into Louisiana from Natchez. This enabled us to travel a significant distance south along the river on the levees and also view a number of the Army Corps of Engineers flood prevention and control facilities.

Vidalia, Louisiana
Slocum Levee, Vidalia, Mississippi

We are certainly glad that we followed Dub’s recommendation. Driving the levee was great fun and provided us with a tour of a very rural part of Louisiana. Our drive along the levee took us through Concordia Parish which covers 745 square miles with a population of just under 20,000 people. There are only seven incorporated towns or cities in the entire parish. We visited several “named places” (as noted on our map) such as Slocum and Shaw, but we found nothing other than a small sign and a bend in the road. Needless to say, we did not see many people on this drive!

The rich alluvial soil deposited by the Mississippi River in Concordia Parish was ideal for growing cotton. Being cotton country also meant that the parish was home to a small number of very large plantations. At the beginning of the Civil War, over 90% of the people living in the parish were enslaved African-Americans. No other parish in Louisiana had as high a percentage of the population enslaved. Not unexpectedly, the plantation owners staunchly backed the C.S.A. throughout the Civil War.

Low Sill Structure, Point Breeze, Louisiana

We departed the levee system somewhere north of Lettsworth. Our expert navigator guided us off the levee and through a series of dirt fields back to pavement (which was far more difficult than it sounds). Once back on pavement, we followed LA 971 and LA1 south and recrossed the river to lodge in St Francisville, Louisiana.

Traveling on LA1 took us across the Low Sill Dam and the 4200 foot long Morganza Spillway. The spillway has over 100 gates which allow for the diversion of a massive amount of water from the Mississippi River into the Atchafalaya Basin and River.

The Army Corps of Engineers plays a large role in the lives of those who live in the Mississippi River Delta. Without the structures built by the Corps, the communities throughout these lowlands (average elevation 56 feet above sea level) would continue to experience catastrophic flooding and loss of life.

We stopped in Lettsworth to visit the church pictured below. It is relatively simple structure which was constructed of hand made bricks. The stained glass windows were made in England – speaking to this church’s affiliation with the Episcopal Church.

However, as with many things in the South, the Civil War changed all of that. The Episcopal Bishop of Louisiana at the time the Civil War started was Leonidas Polk. Polk, in addition to his religious calling, was as a slaveholding plantation owner (the plantation was located in Tennessee.)

With the states at war Polk felt the need to found a new church (ostensibly in support of god, country and slavery! ) – hallelujah – the Episcopal Church of the Confederate States of America! Polk then resigned his position in the church and joined the Confederate Army serving as a Lieutenant General, despite having no prior combat experience. His battle record was poor, but because he was appointed by Jefferson Davis – well you know. His nickname was the “Fighting Bishop” of the Confederacy and true to his nickname he died fighting in battle in 1864. Every church has a story! P.S. The Episcopal Church of the C.S.A. ceased to exist shortly after the South surrendered.

Gumbo and shrimp – yes please! No better way to conclude a dusty day on the levee. The Francis Southern Table and Bar. https://www.thefrancissoutherntable.com

Baton RougE(BTR)

We made an abbreviated stop in BTR as we were returning to Connecticut on our Covid-shortened trip of Spring 2020. The history of BTR sounds similar to many other port towns in Louisiana and Mississippi (an unfair and inaccurate observation no doubt.) French explorers built a fort on the bluff overlooking the river in 1699. Subsequently, BTR was under the control of the French, Spanish and British at various points in time. The Union Army captured the city in 1862 which, along with the capture of Vicksburg, meant game over for the Confederacy. From a current perspective, people tend to think Louisiana’s state capital (Governor John Bel Edwards), Louisiana State University (Tigers), ExxonMobil’s Baton Rouge Refinery (13th largest refinery in the world) and, of course, the Mississippi River. For history buffs interested in a more serious and less glib reading of Baton Rouge we suggest the following book: Historic Baton Rouge by Faye Phillips and Sylvia Frank Rodrique.

BTR is a short drive from St Francisville – good news in light of the lack of third wave coffee in St Francisville. First stop on the BTR coffee tour was City Roots Coffee Bar. This was a first visit for OTR and we would definitely recommend it be a part of your BTR specialty coffee rotation.

https://www.cityrootscoffee.com/

burden museum & gardens (BMG)

The BMG LSU is an unlikely oasis of green off Interstate 10 just outside of downtown BTR. The land was the gift of the Burden family to LSU on the condition that it only be utilized for agricultural, horticultural and agronomic research and the development of the Rural Life Museum.

Although it was early April, there were plenty of flowers and trees in bloom. We toured the gardens and walked the three mile interpretive trail system through woods and swamp. The trail was peaceful and secluded – you would never think you were in an urban area.

The Rural Life Museum consists of several buildings with 18th and 19th century artifacts from rural Louisiana. The exhibits include tools, furniture, wagons and clothing.

The outdoor exhibits consist of 32 buildings across 25 acres. The buildings are arranged in four sections representing different regions of Louisiana. The centerpiece from our perspective was the Working Plantation which included the living quarters and church for the enslaved people. Each of the buildings has a plaque identifying the function of the building and context – informative and in some cases dispiriting.

Slave Driver’s House

https://www.lsuagcenter.com/portals/burden/

Also on display on the grounds was the statue pictured below —- The Good Darky. We have included below all of the information provided by the museum. We agree with their view that is should be displayed despite the explicit racism depicted (the reader may, of course, disagree).

The sculptor left the statue untitled. Its dedication plaque from 1927 reads: “Dedicated to the arduous and faithful service of the good darkies of Louisiana.” This text was the source of the statue’s first acquired name, “The Good Darky.” The statue has also been called “Uncle Jack,” combining recognition of the statue’s donor, Jackson Bryan, and the practice of referring to an elderly Black man as “uncle.” Today, abandoning both pejoratives, we refer to this object as “the Schuler Statue.”

Museums collect and preserve objects to learn about the past and learn from the past. This principle applies equally to subjects that we are proud to share as well as those that are hurtful and unpleasant. The LSU Rural Life Museum’s role is to care for and to interpret our collection. We do this not to glorify the past or to place inauthentic meaning in the objects. Instead, we preserve and talk about these objects to better inform our shared history, in this case the role of race in the rural South and how it has shaped our lives today.

‘The old negro looks as if he had just shuffled into the square and recognized some of his white folks; he has removed his battered hat and is bowing and smiling his joyful greeting.’ (New York Times, July 31, 1927)

Jackson Lee Bryan, a successful cotton planter, mill owner, and banker, commissioned noted sculptor Hans Schuler of Baltimore, MD to create this statue. It was erected at the end of Front Street in Natchitoches, LA in 1927, with the stated intention of recognizing the loyalty and friendly relations shown between the segregated Black and White communities of the city. By 1968, much of the social system the statue represented had begun to be dismantled. Under pressure from voices within the Black community, the City of Natchitoches removed the statue from public display. Through the determination of Jo Bryan Ducoumau, J.L. Bryan’s niece, the city returned ownership to her, which ultimately led to the donation of the statue to the LSU Rural Life Museum.

This statue, the only one of its kind, embodies the Jim Crow culture by reinforcing “model” behavior. In Louisiana and elsewhere in 1927, the practice of African Americans bowing heads and tipping hats was as much a survival tactic as a polite gesture. The presence of the statue in a public space reinforced the Jim Crow era’s rigid social norms and racial stratification. Initial responses to the statue were filled with a nostalgic image of a more tranquil past. Similar sentiments appeared in local papers, proclamations, and other public documents. “The old negro looks as if he had just shuffled into the square and recognized some of his white folks; he has removed his battered hat and is bowing and smiling his joyful greeting.” (New York Times, July 31, 1927

Despite being cloaked in genteel manners, these customs were a response to an underlying threat of violence to African Americans who strayed outside societal norms.

“But then, there were times in growing up (under Jim Crow) … where you had to use survival psychology … That’s the time when I would grin, shuffle, say “Yes Sir” or “No Sir,” look down. All of those things that said that you were inferior, you know. But, that was a survival tactic. Even at a very young age, we understood how to survive in a racist and very violent system.” –Ser Seshsh Ab Heter Clifford Boxley, Natchez,MS

About 15 minutes east of the museum in Shenandoah sits a local favorite for cajun and creole cuisine – Dempsey’s Poboys – a perfect spot to sit and reflect on all that we had seen at the museum. Or could it be the photos above of gumbo and fried catfish represent the new primary diet of one of the members of our little band of travelers?

https://www.facebook.com/Dempseysbr/

After our day at the museum we hit the bike trail. BTR has created a 39.6 mile partially paved bike trail along the top of the Mississippi River levee. The northern trailhead trail begins in downtown BTR and extends southward. Once out of the city the scenery changes to a mix of farmlands, residential areas, the occasional factory and views of the river. You can, in fact ride this levee all the way to New Orleans, although portions are unfinished.

We have had the opportunity to ride on a number of levee trails – this is fun riding – expansive views due to your elevated riding position and no street crossings!

The best trail rides come with the opportunity to have espresso and tea (and perhaps toast) at a specialty coffee shop conveniently located near the trailhead. If the stars are truly aligned that same coffee shop also serves lunch and cocktails ( facilitating the critical transition from caffeine to alcohol).

Fortunately, for us, Reve Coffee Lab BTR, was just a few minutes from where we had parked the Beast for our bike ride. Wrapping a bike ride between a pre-ride cappuccino and a tasty post ride sandwich washed down with a cold, bubbly Prosecco qualifies as an excellent day for OTR!

https://revecoffeeroasters.com/pages/reve-coffee-lab-baton-rouge

We departed BTR the following morning, but not before visiting a new specialty coffee shop located near the state capital building in downtown. The guys at Reve Coffee recommended that we stop by Social and say hey to owner Dillon Farrell.

Dillon first launched Social in 2019 utilizing a mobile coffee cart. He built a strong following and opened the current location in March of this year. Dillon is a sincerely nice guy – we really enjoyed the opportunity to chat with him between customers. He is a top notch barista – excellent caps, cortados and London Fogs. Sealing the deal – he uses Onyx Coffee. We wish him the very best with his shop.

https://www.socialcoffeebr.com/

We had a good couple of days exploring BTR. LSU brings a lot to the city – the gardens, museums, music and sports. We think BTR is worth two to three days depending on your interests.

Be seeing you!